The math has been done at to where they did say that vinyl records are the equivalent to 13 bit digital audio.
Equivalent bitrate of vinyl.
There are several reasons at least one of them valid.
I ll probably do the lossless transfer anyway though.
I was a little uncertain because tape s quality is more suspect than vinyl or cd.
The vinyl lp is a format based on technology that hasn t evolved much over the last six decades.
A pcm signal is a sequence of digital audio samples containing the data providing the necessary information to reconstruct the original analog signal each sample represents the amplitude of the signal at a specific point in time and the samples are uniformly spaced in time.
Digital superiority technically speaking cd is a generally superior medium.
And the higher the bitrate the more accurately the signal is measured.
Cds and vinyl records are both audio storage and playback formats based on rotating discs from different times in music history the cd audio is digitally encoded and read by a laser while analog vinyl audio is physically read by a needle.
Sonically vinyl has both.
Right but when people do the digital transfers of vinyl there s still a standard more or less bitrate for digital conversion so i should have probably clarified.
Comparing compact discs cds to vinyl or gramophone records is the musical equivalent of comparing digital photography with film photography.
The amplitude is the only information explicitly stored in the sample and it is typically stored.
Yes a cd i.
A cd is 16 bit this is due to the fact that cd s have and offer better dynamic range.
That s why snare drums cymbal splashes and other loud instruments have so much more punch in vinyl recordings.
There s very little compression so the loudest parts of those sounds often stand out like you d expect them to at a live performance.
People who complain about the fact a digital recording is quantized don t understand signal processing.